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Professor Salah Hassan,Department of the History of Art at Cornell University,African and African American art history, African aesthetics, African cinema, and Contemporary art and theory. Hassan is c...
Scott Bukatman is a cultural theorist and Professor of Film and Media Studies at Stanford University. His research explores how such popular media as film, comics, and animation mediate between n...
Jan Krawitz has been independently producing documentary films for many years. Her work has been exhibited at film festivals in the United States and abroad, including Sundance, the New York Film Fest...
Jean Ma teaches in Film and Media Studies program and is Director of Graduate Studies for Art History.She has recently taught courses on Chinese cinema, film sound, histories and theories of technolog...
Jamie Meltzer’s feature documentary films have been broadcast nationally on PBS and have screened at numerous film festivals worldwide. His current documentary project, Freedom Fighters (in ...
The five books that currently comprise Wallflower Press's new Nonfictions series cover topics devoted to the development of documentary studies. Begun in 2007, this series endeavors to broaden theoret...
Stuart Hanson's chronicle of a cinema exhibition trade persistently held back by the conservatism, lack of foresight and limited adaptability of its major operators amounts to such a damning indictmen...
Robert Altman's Nashville (1975) has long been recognized as a masterpiece in its treatment of the spectacularization of American culture through an ostensible examination of the country music industr...
Pam Cook’s Screening the Past is essentially a collection of disparate articles that reflect aspects of her research interests from 1982 to the present day. However, the author has collated her work...
Capturing history, or interpreting it, has meant many things over the years, ranging from melodrama-driven accounts, to brutally realist narratives to absurdist ‘fragmented’, ‘non-stories’. This paper...
This paper is a close study of Gillo Pontecorvo's The Battle of Algiers and Queimada (Burn!) and Tomas Alea's Memories of Underdevelopment -- in particular, the ways in which these films explore the c...
Academic film studies can be hostile territory to open declarations of love. Like a gentle breeze, Christian Keathley's new book, Cinephilia and History, or The Wind in the Trees, offers a refreshing ...

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