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2013年5月22-24日，美国罗斯福大学芝加哥表演艺术学院院长亨利·福格尔（Henry Fogel）先生应我院邀请来访，开展了《艺术管理者的角色与职责》、《乐团与剧场管理》等系列专题学术讲座，与我院领导、师生进行了亲切交流，并应邀受聘为我院客座教授。本次来访及讲学活动由我院主办、外事办公室及艺术管理系承办。活动受到了广东省外国专家局的高度重视，也得到了广东艺术管理业界的大力支持，广州交响乐团、星...
Communal Heritage vs. Crucible of Honor:The Function of Audience in Olivier's & Branagh's Henry V
Audience film Olivier Branagh Shakespeare Henry V
2009/11/27
In a discussion of the two films of Shakespeare’s Henry V by Laurence Olivier (1944) and Kenneth Branagh (1989), I identify how the function, portrayal, and construction of various audiences in each f...
The Functional Print in Commercial Culture: Henry Somm's Women in the Marketplace（图）
The Functional Print Commercial Culture Henry Somm's Women the Marketplace
2009/11/20
Japonisme, a term invented by the art critic Philippe Burty in 1872, developed in response to an appreciation of the art and culture of Japan. The flow of prints and art objects from Japan to Europe a...
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)
Henry Burnett Roy Nitzberg Chromaticism Tonality
2009/10/16
Henry Burnett and Roy Nitzberg, Composition, Chromaticism and the Developmental Process：A New Theory of Tonality (2007)。
Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint”
counterpoint species Schenker
2010/3/24
[1] There is a growing number of textbook choices for instructors of sixteenth-century counterpoint courses. This growth is good because it allows for several different approaches, depending on what t...
Henry Seth（图）
New York City Ballet Corps de Balle
2008/11/9
Background
Henry Seth was born in Hartford, Connecticut. He began his ballet training at the age of 10 with the School of the Hartford Ballet. In the fall of 1994 he enrolled at the School of...
Henry Purcell's Dido and Aeneas: A Strategy for Historically-Informed Role-Allocation in the Twenty-First Century
Dido Aeneas Historically-Informed Role-Allocation
2008/10/24
From the beginning of the twentieth century to the late 1970s, Dido and Aeneas was generally accepted by scholars and performers as a girls' school work with eight female roles and one male role. From...
Henry LeTang, a master dancer, teacher and Tony-winning choreographer who for three-quarters of a century taught the leading lights of Broadway and Hollywood how to tap dance, often with show-stopping...